Piece of Mind at Somerset House is a new exhibition getting up close and personal with our intimate domestic spaces.

We celebrated a decade of Out-Spoken at the Southbank Centre last night - it was a soulful reflection of poetic excellence, music and community.

We were invited to The Old Vic for a workshop, backstage tour, and to see The 47th, Mike Bartlett’s Shakespearean take on a dystopian return of Trump in the 2024 US presidential election.

The ICA has announced the seventh edition of its film festival, Frames of Representation, running from 5-12 May 2022. The opening night film, Dry Ground Burning, directed by Adirley Queirós and Joana Pimenta, is a definite must-see.

At Four Corners in Bethnal Green, you’ll find an archive that takes you through protest history. Photographing Protest: Resistance through a Feminist Lens is a must-see collection of protest images by feminist photographers from 1968 through to the present day.

Decriminalised Futures at the ICA highlights the multiplicity of contemporary sex worker experiences. In line with the global sex workers’ rights movement, the exhibition demands that sex work is work – so sex workers deserve the same rights as workers in any other industry.

At GIFTED, we celebrate women in all stages of the creative process. As a female-led team, we #BreakTheBias by supporting women behind the lens as well as in front of it. You’ve heard that the future is female – we’re saying that this future is now. Check out our list of great groups taking action against inequality to help women and girls thrive!

As protests have erupted worldwide against Russia’s invasion of Ukraine, we want to show our solidarity with the people of Ukraine.

We’ve rounded up some resources where you can find out more about the current situation, and how to help those in need.

As alternative sexualities and gender identities have become increasingly mainstream, so has the inclusion of LGBTQ+ characters in popular TV shows and films. But with visibility higher than ever, some raise concerns about its superficiality — can we really use media representation as a measure of progress?

LGBTQ+ History Month: Books can help us to expand our understanding of each other beyond our own experience. With that in mind, we’ve chosen a few of our favourite LGBTQ+ books – both fiction and nonfiction, some new and some old – that you should add to your reading list this year.

Rindon Johnson is a Berlin-based artist who creates his work with both physical materials and virtual spaces. In his integration of virtual and actual realities, he questions the ways in which the virtual and physical, as well as the imagined and the remembered, are connected.

This Martin Luther King Jr. piece stems from that place. I think that we all need to use our voice and talents in whichever way we can to help to fight injustice and raise awareness.

‘King Richard’ is an inspirational true story. Expect to be affirmed on many lessons for success, and messages of humility, patience and honesty, which are bountifully woven throughout this story…

The Asian diaspora is made up of 48 countries - several communities that deserve their own space to feel seen and heard.

As a female-led business, we understand the importance of safe spaces for womxn to thrive. As GIFTED, this Womxn’s Month, we’ve embraced a month of highlighting the womxn within our international community - womxn of grace, strength and ambition.

Since ancient times, Egypt has been the de facto authority of the great River Nile; inarguably, the longest river in the world.

The exhaustive exploration of sub saharan Africa began in the 15th century, as Europeans looked for new trade routes to avoid taxes of the Arab and Ottoman empires.

With all that’s currently being reported on in the United States, as extremist supporters of President Trump stormed the US Capitol last Wednesday afternoon, in such a fashion that has been described as an act of domestic terrorism.

Ugandan officials took presidential candidate, Bobi Wine, into custody.

The world is a much smaller place since 1998, I remember it was the year I first watched the ‘The Lion King’. As a boy, no older than six years old at the time, I remember quite vividly singing ‘I just can’t wait to be King’.